I don’t know another food that seems to inspire stronger emotion—passion, even
—than that most humble of desserts, pie. — Joyce Maynard, "Labor Day"
I’ve been thinking about pie a lot lately. It’s only now, as I’m preparing to leave the college where I’ve taught for the last 15 years, that it occurs to me how many works I’ve taught that have included pie. In the early years of my women’s film class, I used a clip in which Snow White sings about her prince while crafting the perfect pie for the seven little men that she lives with. Pie can be a metaphor for comfort, for domesticity, for nurturing and for accomplishment.
Those very suggestions are what also make pie such a successful weapon in the arsenal of slapstick: to be attacked with a pie, otherwise a symbol of warm inclusiveness, is to be shamed, reduced (just ask the British Prime Minister’s pie thrower his intention).